Monday, March 1, 2010
In the arts community, our top 3 subjects for handwringing and debate are:
- declining audience participation numbers
- lack of public recognition of the intrinsic value of the arts
- lack of pay and respect for artists
I believe we’ve done some things in service of issue #3 that are contributing to the other two. Specifically, I think that in our effort to command greater respect for the profession of being an artist, we’ve excluded people from identifying as artists and prevented them from seeing the art in their everyday lives. We want artists to get paid, obviously, this is something I feel strongly about. But in order to do that, we’ve created all these ways of defining who is a “professional artist” and that’s usually linked to those who make their living as an artist. But what about the hobbyist? The avocational artist? Aren’t they real artists? Those who used to practice but don’t anymore? At what point do you lose the privilege of calling yourself an artist?
I’m not sure excluding people and having fewer people who identify themselves as artists is a good route towards public support of the arts.
I’ve been thinking about this a lot lately in relation to people who work for arts organizations. When I go to conferences and convenings of other service organizations, there is invariably discussion of how we find out what “the artists think” about this or that topic. While I admire my peers dedication to making sure their programs align with their clients needs, I’m always struck by how many of these administrators don’t include themselves in the category of artist. In fact, I think a lot of administrators are afraid to call themselves artists – fearful of being called out or challenged, fear of being a poser or a faker, I guess? I find myself having this conversation a lot:
Me: “So, what’s your background? Are you an artist?”
ArtsManager: “Oh, NO! Goodness, no, I’m not an artist, I’m just an arts supporter. An arts appreciator. Well, I do have a degree in piano performance, and I still play a little bit, in fact, I just played for a friend’s wedding last weekend.”
Me: “That sounds like you’re an artist.”
ArtsManager: “Oh, no, no, no. I’m not an artist.”
What?! Why are we doing this? My post a few months ago stirred up a lot of debate on this question of artist vs. administrator – but can’t we be both? Too many times, I see administrators who stop identifying as artists and artists who resist the idea that you can be both. There are some great exceptions to this – my friend and colleague Karen Atkinson refers to her work creating GYST – a training and software business for individual artists – as a large, ongoing art practice.
Being an artist is an important part of my identity and it’s important to my work at Springboard. I acted in three commercials last year and gathered props from thrift stores for my husband’s Fringe show – hardly a banner year if that’s all I think of as my artistic practice. But I refuse to give up this part of my identity, both because I do still practice (even if it’s occasional) and because I use my artistic brain and the creative process in my job every single day. I think that if, as a community, we led the way in saying, “Hell, yeah, I’m an artist!” then perhaps others would feel comfortable saying it, too.
“I’m a doctor and I’m an artist.”
“I’m a teacher and I’m an artist.”
“I’m a senator and I’m an artist.”
“I’m a lawyer and I’m an artist.”
And I really believe that allowing, and even pushing, more people to call themselves artists leads to better support for art and artists.
What do you think?
-laura
Labels: laura zabel, rants
I'm not sure where that fits into what you're saying, which I liked reading so thanks!
And so I guess I'm back at the beginning of the circle, worrying about how to define a professional artist. Or at least how to out oneself as an artist and not give people the impression that I'm unprofessional, untrained or unskilled.
@Jill, I think creating an administrative style and structure that is compatible with the artistic style of your organization is so important for a healthy org. "Yes and-ing" is, of course, the obvious example.
@dangerhotrod and @Cat, I agree that there are good reasons why people are reluctant to identify as artists (that they don't want to seem pretentious or that you're seen as part of group you don't want to belong to) But I think those are the same reasons that it's important to identify yourself as an artist. Those perceptions will never change unless we show people that we are unpretentious, professional, stable, responsible, artists.
I am being a devil's advocate here, but I think the social stigma of being an artist--i.e. we live in a country that doesn't properly acknowledge creativity or "alternative" lifestyles--is in competition with the notion that anyone who snaps a picture or throws a pot can call themselves an artist.
Or, are they better off just claiming their medium? "I'm a writer and a photographer." "I'm a banker and a potter." "I fix roads and play guitar." What do we gain when we add more "artists" to our demographics?
I think having the descriptor gives the listener something to grab onto and associate with. My ceramic name tag that I wear for exhibitions has my name in script and Textile Artist underneath.
I exhibit mostly at art venues so I spend alot of time explaining the art and craft of my hand stitched pieces.
We are what we present. Present a professional appearance and I have found that I am treated as a professional.
GGS, your points are well taken. I think what we gain is more people who understand "artist" as something that is familiar and a part of their lives, not foreign, elitist and distant. Which, I think leads to greater support of artists. At least that's what I hope.
It took me a long time to admit I was an artist. Earning your living doing work for hire, kinda convinces you that you are a hack. By making my own stuff, I became an artist. The rest of it is money and perception, which is has followed from the work. I love the process, all of it.
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